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Cowboy Junkies’s Best Songs As picked by the jam community, 2011–2015 Sweet Jane Cowboy Junkies. From 92 people Blue Moon Revisited (Song For Cowboy Junkies.
- 20-03-2019, 19:23
- 2016 | Country | Rock | HD & Vinyl
Artist: Cowboy Junkies
Title: The Trinity Session
Year Of Release: 1988/2016
Label: RCA / Analogue Productions
Genre: Alternative country, country rock, folk rock
Quality: DSD64 image (*.iso) 2,8 MHz/1 Bit (scans)
Total Time: 00:53:06
Total Size: 2.14 GB
WebSite: Album Preview
Tracklist:Title: The Trinity Session
Year Of Release: 1988/2016
Label: RCA / Analogue Productions
Genre: Alternative country, country rock, folk rock
Quality: DSD64 image (*.iso) 2,8 MHz/1 Bit (scans)
Total Time: 00:53:06
Total Size: 2.14 GB
WebSite: Album Preview
1. Mining for Gold 01:30
2. Misguided Angel 04:563. Blue Moon Revisited (Song for Elvis) 04:31
4. I Don’t Get It 04:34
Cowboy Junkies Setlist
5. I’m So Lonesome I Could Cry 05:28
6. To Love is to Bury 05:16
Cowboy Junkies Anniversary Song
7. 200 More Miles 05:298. Dreaming My Dreams with You 04:30
9. Working on a Building 03:46
10. Sweet Jane 03:39
11. Postcard Blues 03:23
12. Walkin’ After Midnight 06:03
The music was recorded inside Toronto’s Church of the Holy Trinity on 27 November 1987, with the band circled around a single microphone. The album includes a mixture of original material by the band and covers of classic folk, rock, and country songs. Notable amongst the covers is the band’s most famous single, a cover of The Velvet Underground’s “Sweet Jane”, based on the version found on 1969: The Velvet Underground Live, rather than the later studio version from Loaded. Also included is “Blue Moon Revisited (Song for Elvis)”, which is both a cover and an original, combining a new song by the band with the pop standard “Blue Moon”.
The album was released in early 1988 on Latent Records in Canada, and re-released worldwide later in the year on RCA Records. “Working on a Building” and “Blue Moon Revisited (Song for Elvis)” did not appear on the Latent Records release. “Blue Moon Revisited” was originally released on It Came from Canada, Vol. 4, a compilation of Canadian independent bands.
In 2007, the album was performed live in its entirety as part of the All Tomorrow’s Parties’ Don’t Look Back series. Also that year, the band returned to The Church of the Holy Trinity to record a new version of the Trinity Session with guest musicians Natalie Merchant, Vic Chesnutt, and Ryan Adams. This new set of recordings was released as Trinity Revisited, to commemorate the 20th anniversary of The Trinity Session.
According to website Acclaimed Music, the album is the 946th most acclaimed album ever released. It was named the 42nd best album of the 1980s by Pitchfork Media in 2002 and the 36th best Canadian album by Chart in 2000. It was also ranked 62nd in Bob Mersereau’s book The Top 100 Canadian Albums in 2007. In 2015, the album was named the winner in the 1980s category of the inaugural Slaight Family Polaris Heritage Prize, an annual Canadian music award for classic albums released prior to the creation of the Polaris Music Prize.
The album was released in early 1988 on Latent Records in Canada, and re-released worldwide later in the year on RCA Records. “Working on a Building” and “Blue Moon Revisited (Song for Elvis)” did not appear on the Latent Records release. “Blue Moon Revisited” was originally released on It Came from Canada, Vol. 4, a compilation of Canadian independent bands.
In 2007, the album was performed live in its entirety as part of the All Tomorrow’s Parties’ Don’t Look Back series. Also that year, the band returned to The Church of the Holy Trinity to record a new version of the Trinity Session with guest musicians Natalie Merchant, Vic Chesnutt, and Ryan Adams. This new set of recordings was released as Trinity Revisited, to commemorate the 20th anniversary of The Trinity Session.
According to website Acclaimed Music, the album is the 946th most acclaimed album ever released. It was named the 42nd best album of the 1980s by Pitchfork Media in 2002 and the 36th best Canadian album by Chart in 2000. It was also ranked 62nd in Bob Mersereau’s book The Top 100 Canadian Albums in 2007. In 2015, the album was named the winner in the 1980s category of the inaugural Slaight Family Polaris Heritage Prize, an annual Canadian music award for classic albums released prior to the creation of the Polaris Music Prize.